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Fonte (Croatian)	Destino (English)
U listopadu 1937.	In October 1937.
godine Picasso crta sliku "Žena koja plače".	year Picasso painter the painting "Weeping woman"
Patnja kao aktualna tema umjetničkog djela sažeta je u prikazu jednog jedinog lika promatranog iz neposredne blizine.	Suffering as a current theme of the artwork is summed up in the depiction of a single character observed from close range.
Na prvi pogled slikom dominiraju brojni, čisto slikarski elementi: šarena pozadina, žena na slici ima moderan ljetni šešir, lice joj je prikazano istodobno en face i iz profila, metodom koja nam je već otprije poznata.	At first glance, the picture is dominated by numerous, purely painterly elements: a colorful background, the woman in the picture has a modern summer hat, her face is shown both en face and in profile, using the method we are already familiar with.
Ali, kako god na nju gledali, središte slike zauzima rupčić koji je metafora patnje.	But, no matter how you look at it, the center of the picture is occupied by a handkerchief, which is a metaphor for suffering.
Žena ga u svojem očaju steže zubima i kao da ga grize, dok na njega pada kiša nezaustavljivih suza iz njezinih očiju.	In her despair, the woman clenches her teeth and seems to bite him , while unstoppable tears fall on him from her eyes.
Čini se kao da će se i ženini nokti pretvoriti u suze u trenutku kad se smoče.	It seems as if even a woman's nails will turn to tears in the moment when they get wet.
Rupčić joj kao veo skriva usta istodobno otkrivajući jezu njezine boli.	A handkerchief hides her mouth like a veil, revealing the same time the chill of her pain.
Odnos ženina lica i rupčića sažima cijelu tragediju njezine patnje.	The relationship between the woman's face and the handkerchief summarizes the entire tragedy of her suffering.
Ovaj put kao da je Picasso otišao predaleko sa svojim ambicijama.	This time it seems that Picasso went too far with his ambitions.
Najvažniji element njegovih kubističkih djela, primjerice, bio je kontrast između svagdašnje teme i razorene forme kojom se priopćuje.	The most important element of his cubist works, for example, was the contrast between the everyday theme and the broken form that communicates it.
Sad je razaranje udvostručeno.	Now the destruction is doubled.
Razorena forma, karakteristika Picassova djela, sad nosi i ideju razaranja, fragmentacije i zbrke.	The destroyed form, characteristic of Picasso's work, now also carries the idea of destruction, fragmentation and confusion.
Ovaj postupak možemo nazvati tautološkim, on će obilježiti više slika koje Picasso stvara u to doba.	We can call this procedure tautological, it will characterize many of the paintings that Picasso creates at that time.
U listopadu 1937.	In October 1937.
godine Picasso crta sliku "Žena koja plače".	year Picasso painter the painting "Weeping woman"
Patnja kao aktualna tema umjetničkog djela sažeta je u prikazu jednog jedinog lika promatranog iz neposredne blizine.	Suffering as a current theme of the artwork is summed up in the depiction of a single character observed from close range.
Na prvi pogled slikom dominiraju brojni, čisto slikarski elementi: šarena pozadina, žena na slici ima moderan ljetni šešir, lice joj je prikazano istodobno en face i iz profila, metodom koja nam je već otprije poznata.	At first glance, the picture is dominated by numerous, purely painterly elements: a colorful background, the woman in the picture has a modern summer hat, her face is shown both en face and in profile, using the method we are already familiar with.
Ali, kako god na nju gledali, središte slike zauzima rupčić koji je metafora patnje.	But, no matter how you look at it, the center of the picture is occupied by a handkerchief, which is a metaphor for suffering.
Žena ga u svojem očaju steže zubima i kao da ga grize, dok na njega pada kiša nezaustavljivih suza iz njezinih očiju.	In her despair, the woman clenches her teeth and seems to bite him , while unstoppable tears fall on him from her eyes.
Čini se kao da će se i ženini nokti pretvoriti u suze u trenutku kad se smoče.	It seems as if even a woman's nails will turn to tears in the moment when they get wet.
Rupčić joj kao veo skriva usta istodobno otkrivajući jezu njezine boli.	A handkerchief hides her mouth like a veil, revealing the same time the chill of her pain.
Odnos ženina lica i rupčića sažima cijelu tragediju njezine patnje.	The relationship between the woman's face and the handkerchief summarizes the entire tragedy of her suffering.
Ovaj put kao da je Picasso otišao predaleko sa svojim ambicijama.	This time it seems that Picasso went too far with his ambitions.
Najvažniji element njegovih kubističkih djela, primjerice, bio je kontrast između svagdašnje teme i razorene forme kojom se priopćuje.	The most important element of his cubist works, for example, was the contrast between the everyday theme and the broken form that communicates it.
Sad je razaranje udvostručeno.	Now the destruction is doubled.
Razorena forma, karakteristika Picassova djela, sad nosi i ideju razaranja, fragmentacije i zbrke.	The destroyed form, characteristic of Picasso's work, now also carries the idea of destruction, fragmentation and confusion.
Ovaj postupak možemo nazvati tautološkim, on će obilježiti više slika koje Picasso stvara u to doba.	We can call this procedure tautological, it will characterize many of the paintings that Picasso creates at that time.
U listopadu 1937.	In October 1937.
godine Picasso crta sliku "Žena koja plače".	year Picasso painter the painting "Weeping woman"
Patnja kao aktualna tema umjetničkog djela sažeta je u prikazu jednog jedinog lika promatranog iz neposredne blizine.	Suffering as a current theme of the artwork is summed up in the depiction of a single character observed from close range.
Na prvi pogled slikom dominiraju brojni, čisto slikarski elementi: šarena pozadina, žena na slici ima moderan ljetni šešir, lice joj je prikazano istodobno en face i iz profila, metodom koja nam je već otprije poznata.	At first glance, the picture is dominated by numerous, purely painterly elements: a colorful background, the woman in the picture has a modern summer hat, her face is shown both en face and in profile, using the method we are already familiar with.
Ali, kako god na nju gledali, središte slike zauzima rupčić koji je metafora patnje.	But, no matter how you look at it, the center of the picture is occupied by a handkerchief, which is a metaphor for suffering.
Žena ga u svojem očaju steže zubima i kao da ga grize, dok na njega pada kiša nezaustavljivih suza iz njezinih očiju.	In her despair, the woman clenches her teeth and seems to bite him , while unstoppable tears fall on him from her eyes.
Čini se kao da će se i ženini nokti pretvoriti u suze u trenutku kad se smoče.	It seems as if even a woman's nails will turn to tears in the moment when they get wet.
Rupčić joj kao veo skriva usta istodobno otkrivajući jezu njezine boli.	A handkerchief hides her mouth like a veil, revealing the same time the chill of her pain.
Odnos ženina lica i rupčića sažima cijelu tragediju njezine patnje.	The relationship between the woman's face and the handkerchief summarizes the entire tragedy of her suffering.
Ovaj put kao da je Picasso otišao predaleko sa svojim ambicijama.	This time it seems that Picasso went too far with his ambitions.
Najvažniji element njegovih kubističkih djela, primjerice, bio je kontrast između svagdašnje teme i razorene forme kojom se priopćuje.	The most important element of his cubist works, for example, was the contrast between the everyday theme and the broken form that communicates it.
Sad je razaranje udvostručeno.	Now the destruction is doubled.
Razorena forma, karakteristika Picassova djela, sad nosi i ideju razaranja, fragmentacije i zbrke.	The destroyed form, characteristic of Picasso's work, now also carries the idea of destruction, fragmentation and confusion.
Ovaj postupak možemo nazvati tautološkim, on će obilježiti više slika koje Picasso stvara u to doba.	We can call this procedure tautological, it will characterize many of the paintings that Picasso creates at that time.
U listopadu 1937.	In October 1937.
godine Picasso crta sliku "Žena koja plače".	year Picasso painter the painting "Weeping woman"
Patnja kao aktualna tema umjetničkog djela sažeta je u prikazu jednog jedinog lika promatranog iz neposredne blizine.	Suffering as a current theme of the artwork is summed up in the depiction of a single character observed from close range.
Na prvi pogled slikom dominiraju brojni, čisto slikarski elementi: šarena pozadina, žena na slici ima moderan ljetni šešir, lice joj je prikazano istodobno en face i iz profila, metodom koja nam je već otprije poznata.	At first glance, the picture is dominated by numerous, purely painterly elements: a colorful background, the woman in the picture has a modern summer hat, her face is shown both en face and in profile, using the method we are already familiar with.
Ali, kako god na nju gledali, središte slike zauzima rupčić koji je metafora patnje.	But, no matter how you look at it, the center of the picture is occupied by a handkerchief, which is a metaphor for suffering.
Žena ga u svojem očaju steže zubima i kao da ga grize, dok na njega pada kiša nezaustavljivih suza iz njezinih očiju.	In her despair, the woman clenches her teeth and seems to bite him , while unstoppable tears fall on him from her eyes.
Čini se kao da će se i ženini nokti pretvoriti u suze u trenutku kad se smoče.	It seems as if even a woman's nails will turn to tears in the moment when they get wet.
Rupčić joj kao veo skriva usta istodobno otkrivajući jezu njezine boli.	A handkerchief hides her mouth like a veil, revealing the same time the chill of her pain.
Odnos ženina lica i rupčića sažima cijelu tragediju njezine patnje.	The relationship between the woman's face and the handkerchief summarizes the entire tragedy of her suffering.
Ovaj put kao da je Picasso otišao predaleko sa svojim ambicijama.	This time it seems that Picasso went too far with his ambitions.
Najvažniji element njegovih kubističkih djela, primjerice, bio je kontrast između svagdašnje teme i razorene forme kojom se priopćuje.	The most important element of his cubist works, for example, was the contrast between the everyday theme and the broken form that communicates it.
Sad je razaranje udvostručeno.	Now the destruction is doubled.
Razorena forma, karakteristika Picassova djela, sad nosi i ideju razaranja, fragmentacije i zbrke.	The destroyed form, characteristic of Picasso's work, now also carries the idea of destruction, fragmentation and confusion.
Ovaj postupak možemo nazvati tautološkim, on će obilježiti više slika koje Picasso stvara u to doba.	We can call this procedure tautological, it will characterize many of the paintings that Picasso creates at that time.
U listopadu 1937.	In October 1937.
godine Picasso crta sliku "Žena koja plače".	year Picasso painter the painting "Weeping woman"
Patnja kao aktualna tema umjetničkog djela sažeta je u prikazu jednog jedinog lika promatranog iz neposredne blizine.	Suffering as a current theme of the artwork is summed up in the depiction of a single character observed from close range.
Na prvi pogled slikom dominiraju brojni, čisto slikarski elementi: šarena pozadina, žena na slici ima moderan ljetni šešir, lice joj je prikazano istodobno en face i iz profila, metodom koja nam je već otprije poznata.	At first glance, the picture is dominated by numerous, purely painterly elements: a colorful background, the woman in the picture has a modern summer hat, her face is shown both en face and in profile, using the method we are already familiar with.
Ali, kako god na nju gledali, središte slike zauzima rupčić koji je metafora patnje.	But, no matter how you look at it, the center of the picture is occupied by a handkerchief, which is a metaphor for suffering.
Žena ga u svojem očaju steže zubima i kao da ga grize, dok na njega pada kiša nezaustavljivih suza iz njezinih očiju.	In her despair, the woman clenches her teeth and seems to bite him , while unstoppable tears fall on him from her eyes.
Čini se kao da će se i ženini nokti pretvoriti u suze u trenutku kad se smoče.	It seems as if even a woman's nails will turn to tears in the moment when they get wet.
Rupčić joj kao veo skriva usta istodobno otkrivajući jezu njezine boli.	A handkerchief hides her mouth like a veil, revealing the same time the chill of her pain.
Odnos ženina lica i rupčića sažima cijelu tragediju njezine patnje.	The relationship between the woman's face and the handkerchief summarizes the entire tragedy of her suffering.
Ovaj put kao da je Picasso otišao predaleko sa svojim ambicijama.	This time it seems that Picasso went too far with his ambitions.
Najvažniji element njegovih kubističkih djela, primjerice, bio je kontrast između svagdašnje teme i razorene forme kojom se priopćuje.	The most important element of his cubist works, for example, was the contrast between the everyday theme and the broken form that communicates it.
Sad je razaranje udvostručeno.	Now the destruction is doubled.
Razorena forma, karakteristika Picassova djela, sad nosi i ideju razaranja, fragmentacije i zbrke.	The destroyed form, characteristic of Picasso's work, now also carries the idea of destruction, fragmentation and confusion.
Ovaj postupak možemo nazvati tautološkim, on će obilježiti više slika koje Picasso stvara u to doba.	We can call this procedure tautological, it will characterize many of the paintings that Picasso creates at that time.
U listopadu 1937.	In October 1937.
godine Picasso crta sliku "Žena koja plače".	year Picasso painter the painting "Weeping woman"
Patnja kao aktualna tema umjetničkog djela sažeta je u prikazu jednog jedinog lika promatranog iz neposredne blizine.	Suffering as a current theme of the artwork is summed up in the depiction of a single character observed from close range.
Na prvi pogled slikom dominiraju brojni, čisto slikarski elementi: šarena pozadina, žena na slici ima moderan ljetni šešir, lice joj je prikazano istodobno en face i iz profila, metodom koja nam je već otprije poznata.	At first glance, the picture is dominated by numerous, purely painterly elements: a colorful background, the woman in the picture has a modern summer hat, her face is shown both en face and in profile, using the method we are already familiar with.
Ali, kako god na nju gledali, središte slike zauzima rupčić koji je metafora patnje.	But, no matter how you look at it, the center of the picture is occupied by a handkerchief, which is a metaphor for suffering.
Žena ga u svojem očaju steže zubima i kao da ga grize, dok na njega pada kiša nezaustavljivih suza iz njezinih očiju.	In her despair, the woman clenches her teeth and seems to bite him , while unstoppable tears fall on him from her eyes.
Čini se kao da će se i ženini nokti pretvoriti u suze u trenutku kad se smoče.	It seems as if even a woman's nails will turn to tears in the moment when they get wet.
Rupčić joj kao veo skriva usta istodobno otkrivajući jezu njezine boli.	A handkerchief hides her mouth like a veil, revealing the same time the chill of her pain.
Odnos ženina lica i rupčića sažima cijelu tragediju njezine patnje.	The relationship between the woman's face and the handkerchief summarizes the entire tragedy of her suffering.
Ovaj put kao da je Picasso otišao predaleko sa svojim ambicijama.	This time it seems that Picasso went too far with his ambitions.
Najvažniji element njegovih kubističkih djela, primjerice, bio je kontrast između svagdašnje teme i razorene forme kojom se priopćuje.	The most important element of his cubist works, for example, was the contrast between the everyday theme and the broken form that communicates it.
Sad je razaranje udvostručeno.	Now the destruction is doubled.
Razorena forma, karakteristika Picassova djela, sad nosi i ideju razaranja, fragmentacije i zbrke.	The destroyed form, characteristic of Picasso's work, now also carries the idea of destruction, fragmentation and confusion.
Ovaj postupak možemo nazvati tautološkim, on će obilježiti više slika koje Picasso stvara u to doba.	We can call this procedure tautological, it will characterize many of the paintings that Picasso creates at that time.
U listopadu 1937.	In October 1937.
godine Picasso crta sliku "Žena koja plače".	year Picasso painter the painting "Weeping woman"
Patnja kao aktualna tema umjetničkog djela sažeta je u prikazu jednog jedinog lika promatranog iz neposredne blizine.	Suffering as a current theme of the artwork is summed up in the depiction of a single character observed from close range.
Na prvi pogled slikom dominiraju brojni, čisto slikarski elementi: šarena pozadina, žena na slici ima moderan ljetni šešir, lice joj je prikazano istodobno en face i iz profila, metodom koja nam je već otprije poznata.	At first glance, the picture is dominated by numerous, purely painterly elements: a colorful background, the woman in the picture has a modern summer hat, her face is shown both en face and in profile, using the method we are already familiar with.
Ali, kako god na nju gledali, središte slike zauzima rupčić koji je metafora patnje.	But, no matter how you look at it, the center of the picture is occupied by a handkerchief, which is a metaphor for suffering.
Žena ga u svojem očaju steže zubima i kao da ga grize, dok na njega pada kiša nezaustavljivih suza iz njezinih očiju.	In her despair, the woman clenches her teeth and seems to bite him , while unstoppable tears fall on him from her eyes.
Čini se kao da će se i ženini nokti pretvoriti u suze u trenutku kad se smoče.	It seems as if even a woman's nails will turn to tears in the moment when they get wet.
Rupčić joj kao veo skriva usta istodobno otkrivajući jezu njezine boli.	A handkerchief hides her mouth like a veil, revealing the same time the chill of her pain.
Odnos ženina lica i rupčića sažima cijelu tragediju njezine patnje.	The relationship between the woman's face and the handkerchief summarizes the entire tragedy of her suffering.
Ovaj put kao da je Picasso otišao predaleko sa svojim ambicijama.	This time it seems that Picasso went too far with his ambitions.
Najvažniji element njegovih kubističkih djela, primjerice, bio je kontrast između svagdašnje teme i razorene forme kojom se priopćuje.	The most important element of his cubist works, for example, was the contrast between the everyday theme and the broken form that communicates it.
Sad je razaranje udvostručeno.	Now the destruction is doubled.
Razorena forma, karakteristika Picassova djela, sad nosi i ideju razaranja, fragmentacije i zbrke.	The destroyed form, characteristic of Picasso's work, now also carries the idea of destruction, fragmentation and confusion.
Ovaj postupak možemo nazvati tautološkim, on će obilježiti više slika koje Picasso stvara u to doba.	We can call this procedure tautological, it will characterize many of the paintings that Picasso creates at that time.
U listopadu 1937.	In October 1937.
godine Picasso crta sliku "Žena koja plače".	year Picasso painter the painting "Weeping woman"
Patnja kao aktualna tema umjetničkog djela sažeta je u prikazu jednog jedinog lika promatranog iz neposredne blizine.	Suffering as a current theme of the artwork is summed up in the depiction of a single character observed from close range.
Na prvi pogled slikom dominiraju brojni, čisto slikarski elementi: šarena pozadina, žena na slici ima moderan ljetni šešir, lice joj je prikazano istodobno en face i iz profila, metodom koja nam je već otprije poznata.	At first glance, the picture is dominated by numerous, purely painterly elements: a colorful background, the woman in the picture has a modern summer hat, her face is shown both en face and in profile, using the method we are already familiar with.
Ali, kako god na nju gledali, središte slike zauzima rupčić koji je metafora patnje.	But, no matter how you look at it, the center of the picture is occupied by a handkerchief, which is a metaphor for suffering.
Žena ga u svojem očaju steže zubima i kao da ga grize, dok na njega pada kiša nezaustavljivih suza iz njezinih očiju.	In her despair, the woman clenches her teeth and seems to bite him , while unstoppable tears fall on him from her eyes.
Čini se kao da će se i ženini nokti pretvoriti u suze u trenutku kad se smoče.	It seems as if even a woman's nails will turn to tears in the moment when they get wet.
Rupčić joj kao veo skriva usta istodobno otkrivajući jezu njezine boli.	A handkerchief hides her mouth like a veil, revealing the same time the chill of her pain.
Odnos ženina lica i rupčića sažima cijelu tragediju njezine patnje.	The relationship between the woman's face and the handkerchief summarizes the entire tragedy of her suffering.
Ovaj put kao da je Picasso otišao predaleko sa svojim ambicijama.	This time it seems that Picasso went too far with his ambitions.
Najvažniji element njegovih kubističkih djela, primjerice, bio je kontrast između svagdašnje teme i razorene forme kojom se priopćuje.	The most important element of his cubist works, for example, was the contrast between the everyday theme and the broken form that communicates it.
Sad je razaranje udvostručeno.	Now the destruction is doubled.
Razorena forma, karakteristika Picassova djela, sad nosi i ideju razaranja, fragmentacije i zbrke.	The destroyed form, characteristic of Picasso's work, now also carries the idea of destruction, fragmentation and confusion.
Ovaj postupak možemo nazvati tautološkim, on će obilježiti više slika koje Picasso stvara u to doba.	We can call this procedure tautological, it will characterize many of the paintings that Picasso creates at that time.
U listopadu 1937.	In October 1937.
godine Picasso crta sliku "Žena koja plače".	year Picasso painter the painting "Weeping woman"
Patnja kao aktualna tema umjetničkog djela sažeta je u prikazu jednog jedinog lika promatranog iz neposredne blizine.	Suffering as a current theme of the artwork is summed up in the depiction of a single character observed from close range.
Na prvi pogled slikom dominiraju brojni, čisto slikarski elementi: šarena pozadina, žena na slici ima moderan ljetni šešir, lice joj je prikazano istodobno en face i iz profila, metodom koja nam je već otprije poznata.	At first glance, the picture is dominated by numerous, purely painterly elements: a colorful background, the woman in the picture has a modern summer hat, her face is shown both en face and in profile, using the method we are already familiar with.
Ali, kako god na nju gledali, središte slike zauzima rupčić koji je metafora patnje.	But, no matter how you look at it, the center of the picture is occupied by a handkerchief, which is a metaphor for suffering.
Žena ga u svojem očaju steže zubima i kao da ga grize, dok na njega pada kiša nezaustavljivih suza iz njezinih očiju.	In her despair, the woman clenches her teeth and seems to bite him , while unstoppable tears fall on him from her eyes.
Čini se kao da će se i ženini nokti pretvoriti u suze u trenutku kad se smoče.	It seems as if even a woman's nails will turn to tears in the moment when they get wet.
Rupčić joj kao veo skriva usta istodobno otkrivajući jezu njezine boli.	A handkerchief hides her mouth like a veil, revealing the same time the chill of her pain.
Odnos ženina lica i rupčića sažima cijelu tragediju njezine patnje.	The relationship between the woman's face and the handkerchief summarizes the entire tragedy of her suffering.
Ovaj put kao da je Picasso otišao predaleko sa svojim ambicijama.	This time it seems that Picasso went too far with his ambitions.
Najvažniji element njegovih kubističkih djela, primjerice, bio je kontrast između svagdašnje teme i razorene forme kojom se priopćuje.	The most important element of his cubist works, for example, was the contrast between the everyday theme and the broken form that communicates it.
Sad je razaranje udvostručeno.	Now the destruction is doubled.
Razorena forma, karakteristika Picassova djela, sad nosi i ideju razaranja, fragmentacije i zbrke.	The destroyed form, characteristic of Picasso's work, now also carries the idea of destruction, fragmentation and confusion.
Ovaj postupak možemo nazvati tautološkim, on će obilježiti više slika koje Picasso stvara u to doba.	We can call this procedure tautological, it will characterize many of the paintings that Picasso creates at that time.
U listopadu 1937.	In October 1937.
godine Picasso crta sliku "Žena koja plače".	year Picasso painter the painting "Weeping woman"
Patnja kao aktualna tema umjetničkog djela sažeta je u prikazu jednog jedinog lika promatranog iz neposredne blizine.	Suffering as a current theme of the artwork is summed up in the depiction of a single character observed from close range.
Na prvi pogled slikom dominiraju brojni, čisto slikarski elementi: šarena pozadina, žena na slici ima moderan ljetni šešir, lice joj je prikazano istodobno en face i iz profila, metodom koja nam je već otprije poznata.	At first glance, the picture is dominated by numerous, purely painterly elements: a colorful background, the woman in the picture has a modern summer hat, her face is shown both en face and in profile, using the method we are already familiar with.
Ali, kako god na nju gledali, središte slike zauzima rupčić koji je metafora patnje.	But, no matter how you look at it, the center of the picture is occupied by a handkerchief, which is a metaphor for suffering.
Žena ga u svojem očaju steže zubima i kao da ga grize, dok na njega pada kiša nezaustavljivih suza iz njezinih očiju.	In her despair, the woman clenches her teeth and seems to bite him , while unstoppable tears fall on him from her eyes.
Čini se kao da će se i ženini nokti pretvoriti u suze u trenutku kad se smoče.	It seems as if even a woman's nails will turn to tears in the moment when they get wet.
Rupčić joj kao veo skriva usta istodobno otkrivajući jezu njezine boli.	A handkerchief hides her mouth like a veil, revealing the same time the chill of her pain.
Odnos ženina lica i rupčića sažima cijelu tragediju njezine patnje.	The relationship between the woman's face and the handkerchief summarizes the entire tragedy of her suffering.
Ovaj put kao da je Picasso otišao predaleko sa svojim ambicijama.	This time it seems that Picasso went too far with his ambitions.
Najvažniji element njegovih kubističkih djela, primjerice, bio je kontrast između svagdašnje teme i razorene forme kojom se priopćuje.	The most important element of his cubist works, for example, was the contrast between the everyday theme and the broken form that communicates it.
Sad je razaranje udvostručeno.	Now the destruction is doubled.
Razorena forma, karakteristika Picassova djela, sad nosi i ideju razaranja, fragmentacije i zbrke.	The destroyed form, characteristic of Picasso's work, now also carries the idea of destruction, fragmentation and confusion.
Ovaj postupak možemo nazvati tautološkim, on će obilježiti više slika koje Picasso stvara u to doba.	We can call this procedure tautological, it will characterize many of the paintings that Picasso creates at that time.
U listopadu 1937.	In October 1937.
godine Picasso crta sliku "Žena koja plače".	year Picasso painter the painting "Weeping woman"
Patnja kao aktualna tema umjetničkog djela sažeta je u prikazu jednog jedinog lika promatranog iz neposredne blizine.	Suffering as a current theme of the artwork is summed up in the depiction of a single character observed from close range.
Na prvi pogled slikom dominiraju brojni, čisto slikarski elementi: šarena pozadina, žena na slici ima moderan ljetni šešir, lice joj je prikazano istodobno en face i iz profila, metodom koja nam je već otprije poznata.	At first glance, the picture is dominated by numerous, purely painterly elements: a colorful background, the woman in the picture has a modern summer hat, her face is shown both en face and in profile, using the method we are already familiar with.
Ali, kako god na nju gledali, središte slike zauzima rupčić koji je metafora patnje.	But, no matter how you look at it, the center of the picture is occupied by a handkerchief, which is a metaphor for suffering.
Žena ga u svojem očaju steže zubima i kao da ga grize, dok na njega pada kiša nezaustavljivih suza iz njezinih očiju.	In her despair, the woman clenches her teeth and seems to bite him , while unstoppable tears fall on him from her eyes.
Čini se kao da će se i ženini nokti pretvoriti u suze u trenutku kad se smoče.	It seems as if even a woman's nails will turn to tears in the moment when they get wet.
Rupčić joj kao veo skriva usta istodobno otkrivajući jezu njezine boli.	A handkerchief hides her mouth like a veil, revealing the same time the chill of her pain.
Odnos ženina lica i rupčića sažima cijelu tragediju njezine patnje.	The relationship between the woman's face and the handkerchief summarizes the entire tragedy of her suffering.
Ovaj put kao da je Picasso otišao predaleko sa svojim ambicijama.	This time it seems that Picasso went too far with his ambitions.
Najvažniji element njegovih kubističkih djela, primjerice, bio je kontrast između svagdašnje teme i razorene forme kojom se priopćuje.	The most important element of his cubist works, for example, was the contrast between the everyday theme and the broken form that communicates it.
Sad je razaranje udvostručeno.	Now the destruction is doubled.
Razorena forma, karakteristika Picassova djela, sad nosi i ideju razaranja, fragmentacije i zbrke.	The destroyed form, characteristic of Picasso's work, now also carries the idea of destruction, fragmentation and confusion.
Ovaj postupak možemo nazvati tautološkim, on će obilježiti više slika koje Picasso stvara u to doba.	We can call this procedure tautological, it will characterize many of the paintings that Picasso creates at that time.
U listopadu 1937.	In October 1937.
godine Picasso crta sliku "Žena koja plače".	year Picasso painter the painting "Weeping woman"
Patnja kao aktualna tema umjetničkog djela sažeta je u prikazu jednog jedinog lika promatranog iz neposredne blizine.	Suffering as a current theme of the artwork is summed up in the depiction of a single character observed from close range.
Na prvi pogled slikom dominiraju brojni, čisto slikarski elementi: šarena pozadina, žena na slici ima moderan ljetni šešir, lice joj je prikazano istodobno en face i iz profila, metodom koja nam je već otprije poznata.	At first glance, the picture is dominated by numerous, purely painterly elements: a colorful background, the woman in the picture has a modern summer hat, her face is shown both en face and in profile, using the method we are already familiar with.
Ali, kako god na nju gledali, središte slike zauzima rupčić koji je metafora patnje.	But, no matter how you look at it, the center of the picture is occupied by a handkerchief, which is a metaphor for suffering.
Žena ga u svojem očaju steže zubima i kao da ga grize, dok na njega pada kiša nezaustavljivih suza iz njezinih očiju.	In her despair, the woman clenches her teeth and seems to bite him , while unstoppable tears fall on him from her eyes.
Čini se kao da će se i ženini nokti pretvoriti u suze u trenutku kad se smoče.	It seems as if even a woman's nails will turn to tears in the moment when they get wet.
Rupčić joj kao veo skriva usta istodobno otkrivajući jezu njezine boli.	A handkerchief hides her mouth like a veil, revealing the same time the chill of her pain.
Odnos ženina lica i rupčića sažima cijelu tragediju njezine patnje.	The relationship between the woman's face and the handkerchief summarizes the entire tragedy of her suffering.
Ovaj put kao da je Picasso otišao predaleko sa svojim ambicijama.	This time it seems that Picasso went too far with his ambitions.
Najvažniji element njegovih kubističkih djela, primjerice, bio je kontrast između svagdašnje teme i razorene forme kojom se priopćuje.	The most important element of his cubist works, for example, was the contrast between the everyday theme and the broken form that communicates it.
Sad je razaranje udvostručeno.	Now the destruction is doubled.
Razorena forma, karakteristika Picassova djela, sad nosi i ideju razaranja, fragmentacije i zbrke.	The destroyed form, characteristic of Picasso's work, now also carries the idea of destruction, fragmentation and confusion.
Ovaj postupak možemo nazvati tautološkim, on će obilježiti više slika koje Picasso stvara u to doba.	We can call this procedure tautological, it will characterize many of the paintings that Picasso creates at that time.
U listopadu 1937.	In October 1937.
godine Picasso crta sliku "Žena koja plače".	year Picasso painter the painting "Weeping woman"
Patnja kao aktualna tema umjetničkog djela sažeta je u prikazu jednog jedinog lika promatranog iz neposredne blizine.	Suffering as a current theme of the artwork is summed up in the depiction of a single character observed from close range.
Na prvi pogled slikom dominiraju brojni, čisto slikarski elementi: šarena pozadina, žena na slici ima moderan ljetni šešir, lice joj je prikazano istodobno en face i iz profila, metodom koja nam je već otprije poznata.	At first glance, the picture is dominated by numerous, purely painterly elements: a colorful background, the woman in the picture has a modern summer hat, her face is shown both en face and in profile, using the method we are already familiar with.
Ali, kako god na nju gledali, središte slike zauzima rupčić koji je metafora patnje.	But, no matter how you look at it, the center of the picture is occupied by a handkerchief, which is a metaphor for suffering.
Žena ga u svojem očaju steže zubima i kao da ga grize, dok na njega pada kiša nezaustavljivih suza iz njezinih očiju.	In her despair, the woman clenches her teeth and seems to bite him , while unstoppable tears fall on him from her eyes.
Čini se kao da će se i ženini nokti pretvoriti u suze u trenutku kad se smoče.	It seems as if even a woman's nails will turn to tears in the moment when they get wet.
Rupčić joj kao veo skriva usta istodobno otkrivajući jezu njezine boli.	A handkerchief hides her mouth like a veil, revealing the same time the chill of her pain.
Odnos ženina lica i rupčića sažima cijelu tragediju njezine patnje.	The relationship between the woman's face and the handkerchief summarizes the entire tragedy of her suffering.
Ovaj put kao da je Picasso otišao predaleko sa svojim ambicijama.	This time it seems that Picasso went too far with his ambitions.
Najvažniji element njegovih kubističkih djela, primjerice, bio je kontrast između svagdašnje teme i razorene forme kojom se priopćuje.	The most important element of his cubist works, for example, was the contrast between the everyday theme and the broken form that communicates it.
Sad je razaranje udvostručeno.	Now the destruction is doubled.
Razorena forma, karakteristika Picassova djela, sad nosi i ideju razaranja, fragmentacije i zbrke.	The destroyed form, characteristic of Picasso's work, now also carries the idea of destruction, fragmentation and confusion.
Ovaj postupak možemo nazvati tautološkim, on će obilježiti više slika koje Picasso stvara u to doba.	We can call this procedure tautological, it will characterize many of the paintings that Picasso creates at that time.
U listopadu 1937.	In October 1937.
godine Picasso crta sliku "Žena koja plače".	year Picasso painter the painting "Weeping woman"
Patnja kao aktualna tema umjetničkog djela sažeta je u prikazu jednog jedinog lika promatranog iz neposredne blizine.	Suffering as a current theme of the artwork is summed up in the depiction of a single character observed from close range.
Na prvi pogled slikom dominiraju brojni, čisto slikarski elementi: šarena pozadina, žena na slici ima moderan ljetni šešir, lice joj je prikazano istodobno en face i iz profila, metodom koja nam je već otprije poznata.	At first glance, the picture is dominated by numerous, purely painterly elements: a colorful background, the woman in the picture has a modern summer hat, her face is shown both en face and in profile, using the method we are already familiar with.
Ali, kako god na nju gledali, središte slike zauzima rupčić koji je metafora patnje.	But, no matter how you look at it, the center of the picture is occupied by a handkerchief, which is a metaphor for suffering.
Žena ga u svojem očaju steže zubima i kao da ga grize, dok na njega pada kiša nezaustavljivih suza iz njezinih očiju.	In her despair, the woman clenches her teeth and seems to bite him , while unstoppable tears fall on him from her eyes.
Čini se kao da će se i ženini nokti pretvoriti u suze u trenutku kad se smoče.	It seems as if even a woman's nails will turn to tears in the moment when they get wet.
Rupčić joj kao veo skriva usta istodobno otkrivajući jezu njezine boli.	A handkerchief hides her mouth like a veil, revealing the same time the chill of her pain.
Odnos ženina lica i rupčića sažima cijelu tragediju njezine patnje.	The relationship between the woman's face and the handkerchief summarizes the entire tragedy of her suffering.
Ovaj put kao da je Picasso otišao predaleko sa svojim ambicijama.	This time it seems that Picasso went too far with his ambitions.
Najvažniji element njegovih kubističkih djela, primjerice, bio je kontrast između svagdašnje teme i razorene forme kojom se priopćuje.	The most important element of his cubist works, for example, was the contrast between the everyday theme and the broken form that communicates it.
Sad je razaranje udvostručeno.	Now the destruction is doubled.
Razorena forma, karakteristika Picassova djela, sad nosi i ideju razaranja, fragmentacije i zbrke.	The destroyed form, characteristic of Picasso's work, now also carries the idea of destruction, fragmentation and confusion.
Ovaj postupak možemo nazvati tautološkim, on će obilježiti više slika koje Picasso stvara u to doba.	We can call this procedure tautological, it will characterize many of the paintings that Picasso creates at that time.
U listopadu 1937.	In October 1937.
godine Picasso crta sliku "Žena koja plače".	year Picasso painter the painting "Weeping woman"
Patnja kao aktualna tema umjetničkog djela sažeta je u prikazu jednog jedinog lika promatranog iz neposredne blizine.	Suffering as a current theme of the artwork is summed up in the depiction of a single character observed from close range.
Na prvi pogled slikom dominiraju brojni, čisto slikarski elementi: šarena pozadina, žena na slici ima moderan ljetni šešir, lice joj je prikazano istodobno en face i iz profila, metodom koja nam je već otprije poznata.	At first glance, the picture is dominated by numerous, purely painterly elements: a colorful background, the woman in the picture has a modern summer hat, her face is shown both en face and in profile, using the method we are already familiar with.
Ali, kako god na nju gledali, središte slike zauzima rupčić koji je metafora patnje.	But, no matter how you look at it, the center of the picture is occupied by a handkerchief, which is a metaphor for suffering.
Žena ga u svojem očaju steže zubima i kao da ga grize, dok na njega pada kiša nezaustavljivih suza iz njezinih očiju.	In her despair, the woman clenches her teeth and seems to bite him , while unstoppable tears fall on him from her eyes.
Čini se kao da će se i ženini nokti pretvoriti u suze u trenutku kad se smoče.	It seems as if even a woman's nails will turn to tears in the moment when they get wet.
Rupčić joj kao veo skriva usta istodobno otkrivajući jezu njezine boli.	A handkerchief hides her mouth like a veil, revealing the same time the chill of her pain.
Odnos ženina lica i rupčića sažima cijelu tragediju njezine patnje.	The relationship between the woman's face and the handkerchief summarizes the entire tragedy of her suffering.
Ovaj put kao da je Picasso otišao predaleko sa svojim ambicijama.	This time it seems that Picasso went too far with his ambitions.
Najvažniji element njegovih kubističkih djela, primjerice, bio je kontrast između svagdašnje teme i razorene forme kojom se priopćuje.	The most important element of his cubist works, for example, was the contrast between the everyday theme and the broken form that communicates it.
Sad je razaranje udvostručeno.	Now the destruction is doubled.
Razorena forma, karakteristika Picassova djela, sad nosi i ideju razaranja, fragmentacije i zbrke.	The destroyed form, characteristic of Picasso's work, now also carries the idea of destruction, fragmentation and confusion.
Ovaj postupak možemo nazvati tautološkim, on će obilježiti više slika koje Picasso stvara u to doba.	We can call this procedure tautological, it will characterize many of the paintings that Picasso creates at that time.
U listopadu 1937.	In October 1937.
godine Picasso crta sliku "Žena koja plače".	year Picasso painter the painting "Weeping woman"
Patnja kao aktualna tema umjetničkog djela sažeta je u prikazu jednog jedinog lika promatranog iz neposredne blizine.	Suffering as a current theme of the artwork is summed up in the depiction of a single character observed from close range.
Na prvi pogled slikom dominiraju brojni, čisto slikarski elementi: šarena pozadina, žena na slici ima moderan ljetni šešir, lice joj je prikazano istodobno en face i iz profila, metodom koja nam je već otprije poznata.	At first glance, the picture is dominated by numerous, purely painterly elements: a colorful background, the woman in the picture has a modern summer hat, her face is shown both en face and in profile, using the method we are already familiar with.
Ali, kako god na nju gledali, središte slike zauzima rupčić koji je metafora patnje.	But, no matter how you look at it, the center of the picture is occupied by a handkerchief, which is a metaphor for suffering.
Žena ga u svojem očaju steže zubima i kao da ga grize, dok na njega pada kiša nezaustavljivih suza iz njezinih očiju.	In her despair, the woman clenches her teeth and seems to bite him , while unstoppable tears fall on him from her eyes.
Čini se kao da će se i ženini nokti pretvoriti u suze u trenutku kad se smoče.	It seems as if even a woman's nails will turn to tears in the moment when they get wet.
Rupčić joj kao veo skriva usta istodobno otkrivajući jezu njezine boli.	A handkerchief hides her mouth like a veil, revealing the same time the chill of her pain.
Odnos ženina lica i rupčića sažima cijelu tragediju njezine patnje.	The relationship between the woman's face and the handkerchief summarizes the entire tragedy of her suffering.
Ovaj put kao da je Picasso otišao predaleko sa svojim ambicijama.	This time it seems that Picasso went too far with his ambitions.
Najvažniji element njegovih kubističkih djela, primjerice, bio je kontrast između svagdašnje teme i razorene forme kojom se priopćuje.	The most important element of his cubist works, for example, was the contrast between the everyday theme and the broken form that communicates it.
Sad je razaranje udvostručeno.	Now the destruction is doubled.
Razorena forma, karakteristika Picassova djela, sad nosi i ideju razaranja, fragmentacije i zbrke.	The destroyed form, characteristic of Picasso's work, now also carries the idea of destruction, fragmentation and confusion.
Ovaj postupak možemo nazvati tautološkim, on će obilježiti više slika koje Picasso stvara u to doba.	We can call this procedure tautological, it will characterize many of the paintings that Picasso creates at that time.
U listopadu 1937.	In October 1937.
godine Picasso crta sliku "Žena koja plače".	year Picasso painter the painting "Weeping woman"
Patnja kao aktualna tema umjetničkog djela sažeta je u prikazu jednog jedinog lika promatranog iz neposredne blizine.	Suffering as a current theme of the artwork is summed up in the depiction of a single character observed from close range.
Na prvi pogled slikom dominiraju brojni, čisto slikarski elementi: šarena pozadina, žena na slici ima moderan ljetni šešir, lice joj je prikazano istodobno en face i iz profila, metodom koja nam je već otprije poznata.	At first glance, the picture is dominated by numerous, purely painterly elements: a colorful background, the woman in the picture has a modern summer hat, her face is shown both en face and in profile, using the method we are already familiar with.
Ali, kako god na nju gledali, središte slike zauzima rupčić koji je metafora patnje.	But, no matter how you look at it, the center of the picture is occupied by a handkerchief, which is a metaphor for suffering.
Žena ga u svojem očaju steže zubima i kao da ga grize, dok na njega pada kiša nezaustavljivih suza iz njezinih očiju.	In her despair, the woman clenches her teeth and seems to bite him , while unstoppable tears fall on him from her eyes.
Čini se kao da će se i ženini nokti pretvoriti u suze u trenutku kad se smoče.	It seems as if even a woman's nails will turn to tears in the moment when they get wet.
Rupčić joj kao veo skriva usta istodobno otkrivajući jezu njezine boli.	A handkerchief hides her mouth like a veil, revealing the same time the chill of her pain.
Odnos ženina lica i rupčića sažima cijelu tragediju njezine patnje.	The relationship between the woman's face and the handkerchief summarizes the entire tragedy of her suffering.
Ovaj put kao da je Picasso otišao predaleko sa svojim ambicijama.	This time it seems that Picasso went too far with his ambitions.
Najvažniji element njegovih kubističkih djela, primjerice, bio je kontrast između svagdašnje teme i razorene forme kojom se priopćuje.	The most important element of his cubist works, for example, was the contrast between the everyday theme and the broken form that communicates it.
Sad je razaranje udvostručeno.	Now the destruction is doubled.
Razorena forma, karakteristika Picassova djela, sad nosi i ideju razaranja, fragmentacije i zbrke.	The destroyed form, characteristic of Picasso's work, now also carries the idea of destruction, fragmentation and confusion.
Ovaj postupak možemo nazvati tautološkim, on će obilježiti više slika koje Picasso stvara u to doba.	We can call this procedure tautological, it will characterize many of the paintings that Picasso creates at that time.
U listopadu 1937.	In October 1937.
godine Picasso crta sliku "Žena koja plače".	year Picasso painter the painting "Weeping woman"
Patnja kao aktualna tema umjetničkog djela sažeta je u prikazu jednog jedinog lika promatranog iz neposredne blizine.	Suffering as a current theme of the artwork is summed up in the depiction of a single character observed from close range.
Na prvi pogled slikom dominiraju brojni, čisto slikarski elementi: šarena pozadina, žena na slici ima moderan ljetni šešir, lice joj je prikazano istodobno en face i iz profila, metodom koja nam je već otprije poznata.	At first glance, the picture is dominated by numerous, purely painterly elements: a colorful background, the woman in the picture has a modern summer hat, her face is shown both en face and in profile, using the method we are already familiar with.
Ali, kako god na nju gledali, središte slike zauzima rupčić koji je metafora patnje.	But, no matter how you look at it, the center of the picture is occupied by a handkerchief, which is a metaphor for suffering.
Žena ga u svojem očaju steže zubima i kao da ga grize, dok na njega pada kiša nezaustavljivih suza iz njezinih očiju.	In her despair, the woman clenches her teeth and seems to bite him , while unstoppable tears fall on him from her eyes.
Čini se kao da će se i ženini nokti pretvoriti u suze u trenutku kad se smoče.	It seems as if even a woman's nails will turn to tears in the moment when they get wet.
Rupčić joj kao veo skriva usta istodobno otkrivajući jezu njezine boli.	A handkerchief hides her mouth like a veil, revealing the same time the chill of her pain.
Odnos ženina lica i rupčića sažima cijelu tragediju njezine patnje.	The relationship between the woman's face and the handkerchief summarizes the entire tragedy of her suffering.
Ovaj put kao da je Picasso otišao predaleko sa svojim ambicijama.	This time it seems that Picasso went too far with his ambitions.
Najvažniji element njegovih kubističkih djela, primjerice, bio je kontrast između svagdašnje teme i razorene forme kojom se priopćuje.	The most important element of his cubist works, for example, was the contrast between the everyday theme and the broken form that communicates it.
Sad je razaranje udvostručeno.	Now the destruction is doubled.
Razorena forma, karakteristika Picassova djela, sad nosi i ideju razaranja, fragmentacije i zbrke.	The destroyed form, characteristic of Picasso's work, now also carries the idea of destruction, fragmentation and confusion.
Ovaj postupak možemo nazvati tautološkim, on će obilježiti više slika koje Picasso stvara u to doba.	We can call this procedure tautological, it will characterize many of the paintings that Picasso creates at that time.
U listopadu 1937.	In October 1937.
godine Picasso crta sliku "Žena koja plače".	year Picasso painter the painting "Weeping woman"
Patnja kao aktualna tema umjetničkog djela sažeta je u prikazu jednog jedinog lika promatranog iz neposredne blizine.	Suffering as a current theme of the artwork is summed up in the depiction of a single character observed from close range.
Na prvi pogled slikom dominiraju brojni, čisto slikarski elementi: šarena pozadina, žena na slici ima moderan ljetni šešir, lice joj je prikazano istodobno en face i iz profila, metodom koja nam je već otprije poznata.	At first glance, the picture is dominated by numerous, purely painterly elements: a colorful background, the woman in the picture has a modern summer hat, her face is shown both en face and in profile, using the method we are already familiar with.
Ali, kako god na nju gledali, središte slike zauzima rupčić koji je metafora patnje.	But, no matter how you look at it, the center of the picture is occupied by a handkerchief, which is a metaphor for suffering.
Žena ga u svojem očaju steže zubima i kao da ga grize, dok na njega pada kiša nezaustavljivih suza iz njezinih očiju.	In her despair, the woman clenches her teeth and seems to bite him , while unstoppable tears fall on him from her eyes.
Čini se kao da će se i ženini nokti pretvoriti u suze u trenutku kad se smoče.	It seems as if even a woman's nails will turn to tears in the moment when they get wet.
Rupčić joj kao veo skriva usta istodobno otkrivajući jezu njezine boli.	A handkerchief hides her mouth like a veil, revealing the same time the chill of her pain.
Odnos ženina lica i rupčića sažima cijelu tragediju njezine patnje.	The relationship between the woman's face and the handkerchief summarizes the entire tragedy of her suffering.
Ovaj put kao da je Picasso otišao predaleko sa svojim ambicijama.	This time it seems that Picasso went too far with his ambitions.
Najvažniji element njegovih kubističkih djela, primjerice, bio je kontrast između svagdašnje teme i razorene forme kojom se priopćuje.	The most important element of his cubist works, for example, was the contrast between the everyday theme and the broken form that communicates it.
Sad je razaranje udvostručeno.	Now the destruction is doubled.
Razorena forma, karakteristika Picassova djela, sad nosi i ideju razaranja, fragmentacije i zbrke.	The destroyed form, characteristic of Picasso's work, now also carries the idea of destruction, fragmentation and confusion.
Ovaj postupak možemo nazvati tautološkim, on će obilježiti više slika koje Picasso stvara u to doba.	We can call this procedure tautological, it will characterize many of the paintings that Picasso creates at that time.
U listopadu 1937.	In October 1937.
godine Picasso crta sliku "Žena koja plače".	year Picasso painter the painting "Weeping woman"
Patnja kao aktualna tema umjetničkog djela sažeta je u prikazu jednog jedinog lika promatranog iz neposredne blizine.	Suffering as a current theme of the artwork is summed up in the depiction of a single character observed from close range.
Na prvi pogled slikom dominiraju brojni, čisto slikarski elementi: šarena pozadina, žena na slici ima moderan ljetni šešir, lice joj je prikazano istodobno en face i iz profila, metodom koja nam je već otprije poznata.	At first glance, the picture is dominated by numerous, purely painterly elements: a colorful background, the woman in the picture has a modern summer hat, her face is shown both en face and in profile, using the method we are already familiar with.
Ali, kako god na nju gledali, središte slike zauzima rupčić koji je metafora patnje.	But, no matter how you look at it, the center of the picture is occupied by a handkerchief, which is a metaphor for suffering.
Žena ga u svojem očaju steže zubima i kao da ga grize, dok na njega pada kiša nezaustavljivih suza iz njezinih očiju.	In her despair, the woman clenches her teeth and seems to bite him , while unstoppable tears fall on him from her eyes.
Čini se kao da će se i ženini nokti pretvoriti u suze u trenutku kad se smoče.	It seems as if even a woman's nails will turn to tears in the moment when they get wet.
Rupčić joj kao veo skriva usta istodobno otkrivajući jezu njezine boli.	A handkerchief hides her mouth like a veil, revealing the same time the chill of her pain.
Odnos ženina lica i rupčića sažima cijelu tragediju njezine patnje.	The relationship between the woman's face and the handkerchief summarizes the entire tragedy of her suffering.
Ovaj put kao da je Picasso otišao predaleko sa svojim ambicijama.	This time it seems that Picasso went too far with his ambitions.
Najvažniji element njegovih kubističkih djela, primjerice, bio je kontrast između svagdašnje teme i razorene forme kojom se priopćuje.	The most important element of his cubist works, for example, was the contrast between the everyday theme and the broken form that communicates it.
Sad je razaranje udvostručeno.	Now the destruction is doubled.
Razorena forma, karakteristika Picassova djela, sad nosi i ideju razaranja, fragmentacije i zbrke.	The destroyed form, characteristic of Picasso's work, now also carries the idea of destruction, fragmentation and confusion.
Ovaj postupak možemo nazvati tautološkim, on će obilježiti više slika koje Picasso stvara u to doba.	We can call this procedure tautological, it will characterize many of the paintings that Picasso creates at that time.
U listopadu 1937.	In October 1937.
godine Picasso crta sliku "Žena koja plače".	year Picasso painter the painting "Weeping woman"
Patnja kao aktualna tema umjetničkog djela sažeta je u prikazu jednog jedinog lika promatranog iz neposredne blizine.	Suffering as a current theme of the artwork is summed up in the depiction of a single character observed from close range.
Na prvi pogled slikom dominiraju brojni, čisto slikarski elementi: šarena pozadina, žena na slici ima moderan ljetni šešir, lice joj je prikazano istodobno en face i iz profila, metodom koja nam je već otprije poznata.	At first glance, the picture is dominated by numerous, purely painterly elements: a colorful background, the woman in the picture has a modern summer hat, her face is shown both en face and in profile, using the method we are already familiar with.
Ali, kako god na nju gledali, središte slike zauzima rupčić koji je metafora patnje.	But, no matter how you look at it, the center of the picture is occupied by a handkerchief, which is a metaphor for suffering.
Žena ga u svojem očaju steže zubima i kao da ga grize, dok na njega pada kiša nezaustavljivih suza iz njezinih očiju.	In her despair, the woman clenches her teeth and seems to bite him , while unstoppable tears fall on him from her eyes.
Čini se kao da će se i ženini nokti pretvoriti u suze u trenutku kad se smoče.	It seems as if even a woman's nails will turn to tears in the moment when they get wet.
Rupčić joj kao veo skriva usta istodobno otkrivajući jezu njezine boli.	A handkerchief hides her mouth like a veil, revealing the same time the chill of her pain.
Odnos ženina lica i rupčića sažima cijelu tragediju njezine patnje.	The relationship between the woman's face and the handkerchief summarizes the entire tragedy of her suffering.
Ovaj put kao da je Picasso otišao predaleko sa svojim ambicijama.	This time it seems that Picasso went too far with his ambitions.
Najvažniji element njegovih kubističkih djela, primjerice, bio je kontrast između svagdašnje teme i razorene forme kojom se priopćuje.	The most important element of his cubist works, for example, was the contrast between the everyday theme and the broken form that communicates it.
Sad je razaranje udvostručeno.	Now the destruction is doubled.
Razorena forma, karakteristika Picassova djela, sad nosi i ideju razaranja, fragmentacije i zbrke.	The destroyed form, characteristic of Picasso's work, now also carries the idea of destruction, fragmentation and confusion.
Ovaj postupak možemo nazvati tautološkim, on će obilježiti više slika koje Picasso stvara u to doba.	We can call this procedure tautological, it will characterize many of the paintings that Picasso creates at that time.
U listopadu 1937.	In October 1937.
godine Picasso crta sliku "Žena koja plače".	year Picasso painter the painting "Weeping woman"
Patnja kao aktualna tema umjetničkog djela sažeta je u prikazu jednog jedinog lika promatranog iz neposredne blizine.	Suffering as a current theme of the artwork is summed up in the depiction of a single character observed from close range.
Na prvi pogled slikom dominiraju brojni, čisto slikarski elementi: šarena pozadina, žena na slici ima moderan ljetni šešir, lice joj je prikazano istodobno en face i iz profila, metodom koja nam je već otprije poznata.	At first glance, the picture is dominated by numerous, purely painterly elements: a colorful background, the woman in the picture has a modern summer hat, her face is shown both en face and in profile, using the method we are already familiar with.
Ali, kako god na nju gledali, središte slike zauzima rupčić koji je metafora patnje.	But, no matter how you look at it, the center of the picture is occupied by a handkerchief, which is a metaphor for suffering.
Žena ga u svojem očaju steže zubima i kao da ga grize, dok na njega pada kiša nezaustavljivih suza iz njezinih očiju.	In her despair, the woman clenches her teeth and seems to bite him , while unstoppable tears fall on him from her eyes.
Čini se kao da će se i ženini nokti pretvoriti u suze u trenutku kad se smoče.	It seems as if even a woman's nails will turn to tears in the moment when they get wet.
Rupčić joj kao veo skriva usta istodobno otkrivajući jezu njezine boli.	A handkerchief hides her mouth like a veil, revealing the same time the chill of her pain.
Odnos ženina lica i rupčića sažima cijelu tragediju njezine patnje.	The relationship between the woman's face and the handkerchief summarizes the entire tragedy of her suffering.
Ovaj put kao da je Picasso otišao predaleko sa svojim ambicijama.	This time it seems that Picasso went too far with his ambitions.
Najvažniji element njegovih kubističkih djela, primjerice, bio je kontrast između svagdašnje teme i razorene forme kojom se priopćuje.	The most important element of his cubist works, for example, was the contrast between the everyday theme and the broken form that communicates it.
Sad je razaranje udvostručeno.	Now the destruction is doubled.
Razorena forma, karakteristika Picassova djela, sad nosi i ideju razaranja, fragmentacije i zbrke.	The destroyed form, characteristic of Picasso's work, now also carries the idea of destruction, fragmentation and confusion.
Ovaj postupak možemo nazvati tautološkim, on će obilježiti više slika koje Picasso stvara u to doba.	We can call this procedure tautological, it will characterize many of the paintings that Picasso creates at that time.
U listopadu 1937.	In October 1937.
godine Picasso crta sliku "Žena koja plače".	year Picasso painter the painting "Weeping woman"
Patnja kao aktualna tema umjetničkog djela sažeta je u prikazu jednog jedinog lika promatranog iz neposredne blizine.	Suffering as a current theme of the artwork is summed up in the depiction of a single character observed from close range.
Na prvi pogled slikom dominiraju brojni, čisto slikarski elementi: šarena pozadina, žena na slici ima moderan ljetni šešir, lice joj je prikazano istodobno en face i iz profila, metodom koja nam je već otprije poznata.	At first glance, the picture is dominated by numerous, purely painterly elements: a colorful background, the woman in the picture has a modern summer hat, her face is shown both en face and in profile, using the method we are already familiar with.
Ali, kako god na nju gledali, središte slike zauzima rupčić koji je metafora patnje.	But, no matter how you look at it, the center of the picture is occupied by a handkerchief, which is a metaphor for suffering.
Žena ga u svojem očaju steže zubima i kao da ga grize, dok na njega pada kiša nezaustavljivih suza iz njezinih očiju.	In her despair, the woman clenches her teeth and seems to bite him , while unstoppable tears fall on him from her eyes.
Čini se kao da će se i ženini nokti pretvoriti u suze u trenutku kad se smoče.	It seems as if even a woman's nails will turn to tears in the moment when they get wet.
Rupčić joj kao veo skriva usta istodobno otkrivajući jezu njezine boli.	A handkerchief hides her mouth like a veil, revealing the same time the chill of her pain.
Odnos ženina lica i rupčića sažima cijelu tragediju njezine patnje.	The relationship between the woman's face and the handkerchief summarizes the entire tragedy of her suffering.
Ovaj put kao da je Picasso otišao predaleko sa svojim ambicijama.	This time it seems that Picasso went too far with his ambitions.
Najvažniji element njegovih kubističkih djela, primjerice, bio je kontrast između svagdašnje teme i razorene forme kojom se priopćuje.	The most important element of his cubist works, for example, was the contrast between the everyday theme and the broken form that communicates it.
Sad je razaranje udvostručeno.	Now the destruction is doubled.
Razorena forma, karakteristika Picassova djela, sad nosi i ideju razaranja, fragmentacije i zbrke.	The destroyed form, characteristic of Picasso's work, now also carries the idea of destruction, fragmentation and confusion.
Ovaj postupak možemo nazvati tautološkim, on će obilježiti više slika koje Picasso stvara u to doba.	We can call this procedure tautological, it will characterize many of the paintings that Picasso creates at that time.
U listopadu 1937.	In October 1937.
godine Picasso crta sliku "Žena koja plače".	year Picasso painter the painting "Weeping woman"
Patnja kao aktualna tema umjetničkog djela sažeta je u prikazu jednog jedinog lika promatranog iz neposredne blizine.	Suffering as a current theme of the artwork is summed up in the depiction of a single character observed from close range.
Na prvi pogled slikom dominiraju brojni, čisto slikarski elementi: šarena pozadina, žena na slici ima moderan ljetni šešir, lice joj je prikazano istodobno en face i iz profila, metodom koja nam je već otprije poznata.	At first glance, the picture is dominated by numerous, purely painterly elements: a colorful background, the woman in the picture has a modern summer hat, her face is shown both en face and in profile, using the method we are already familiar with.
Ali, kako god na nju gledali, središte slike zauzima rupčić koji je metafora patnje.	But, no matter how you look at it, the center of the picture is occupied by a handkerchief, which is a metaphor for suffering.
Žena ga u svojem očaju steže zubima i kao da ga grize, dok na njega pada kiša nezaustavljivih suza iz njezinih očiju.	In her despair, the woman clenches her teeth and seems to bite him , while unstoppable tears fall on him from her eyes.
Čini se kao da će se i ženini nokti pretvoriti u suze u trenutku kad se smoče.	It seems as if even a woman's nails will turn to tears in the moment when they get wet.
Rupčić joj kao veo skriva usta istodobno otkrivajući jezu njezine boli.	A handkerchief hides her mouth like a veil, revealing the same time the chill of her pain.
Odnos ženina lica i rupčića sažima cijelu tragediju njezine patnje.	The relationship between the woman's face and the handkerchief summarizes the entire tragedy of her suffering.
Ovaj put kao da je Picasso otišao predaleko sa svojim ambicijama.	This time it seems that Picasso went too far with his ambitions.
Najvažniji element njegovih kubističkih djela, primjerice, bio je kontrast između svagdašnje teme i razorene forme kojom se priopćuje.	The most important element of his cubist works, for example, was the contrast between the everyday theme and the broken form that communicates it.
Sad je razaranje udvostručeno.	Now the destruction is doubled.
Razorena forma, karakteristika Picassova djela, sad nosi i ideju razaranja, fragmentacije i zbrke.	The destroyed form, characteristic of Picasso's work, now also carries the idea of destruction, fragmentation and confusion.
Ovaj postupak možemo nazvati tautološkim, on će obilježiti više slika koje Picasso stvara u to doba.	We can call this procedure tautological, it will characterize many of the paintings that Picasso creates at that time.

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Olá, o meu nome é
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